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To get to know more about watermark research in the service of incunabula read either number 25 or number 26.

Look at number 31 to get a good impression of how incunabulists distinguish type or read number 34 to see it working in practice.

If you feel that you need to brush up on the production process of early printed books before the course, read number 21 or number 22.

Or read number 20 or 23 if you already feel that you are well up with how the hand-press period book was produced.

Find some time to look at the catalogues mentioned and do read the passages indicated in number 7 and number 8, as well as the first and the last reviews listed in number 12.If you only have the time to read one thing on decoration, perhaps you could go for number 43.The first bibliographic point of departure for the study of incunabula is Severin Corsten, Der Buchdruck im 15.195-216 (or in the second edition (Paris, 1989), pp. Mc Kitterick does not aim to provide an overview of methods of book production and is not exclusively concerned with incunabula. by the Deutsche Staatsbibliothek zu Berlin, vols 8- (Stuttgart, Berlin, New York, 1972-). 8, which describe the principles for the catalogue records; they appear in German in volume 8, fascicle 1, pp.*5-*10, and in volume 8, fascicle 2, in English, French, Italian and Russian.However, he discusses many problems related to incunabula in the context of the longer-term developments of book production and book use and he questions many of the normalising assumptions underlying both analytic bibliography and other approaches to incunable descriptions. If your institution allows the downloading of the special software you can also consult BMC, that is: Catalogue of Books Printed in the XVth Century now in the British Museum (Library), vols 1-10, vols 12-13.

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